Guðný Guðmundsdóttir’s exhibition draws on the concept of the nymph, which the artist explores in three forms: water lilies, the developmental stage of dragonflies, and water nymphs. These elements are combined with the aesthetics of heavy industry, represented by seemingly unassailable machines and industrial structures. Yet, when set against the sun or the cosmos, these appear far less powerful than they initially seem. In this interplay, parallels emerge between the vast and the minute, raising quiet questions about our human perspective.